Themed around an “Edenic Experiment” – a man-made environment of nature in an imaginary world – Katayama has boldly lashed together expensive materials, cutting-edge lighting and decadent furnishings in a kind of Marcel Wanders’ dreamworld meets Star Trek style…
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On my way from Beijing, after 15 years I am back in Honk Kong.
I came to feature the top luxury hotels in the city and believe I am totally ready for the experience.
Although I am afraid of heights…
I will face the new Ritz- Carlton 118 floor Ozone bar.
I am not very good in digesting street food ….
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French designer Noé Duchaufour-Lawrance has fitted out a restaurant at the top of the tallest skyscraper in central Paris.…
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If you are in Paris for fashion week , you should check just a stone’s throw from the Jardin du Luxembourg, a prestigious building where Hélène Darroze and her team invite you every day to experience unexpected culinary creations; a unique, one-of-a-kind menu concocted in harmony with the chef’s emotions and mood
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The exhibition, presented by the Decorative Arts Museum in partnership with the Maison Van Cleef & Arpels, retraces over one century of the French firm’s history since its beginnings in 1906 at 22 place Vendôme in Paris.In the Nef (Nave) of the museum over 500 pieces of jewellery and objects, as well as numerous archive documents, drawings and reviews from the 1920s, have been gathered together to collectively bear witness to the richness of its heritage.
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Boucheron’s L’Artisan du Rêve collection, Harry Winston ‘s Signature Label, Bulgari’s Serpenti, Chaumet’s Joséphine Aigrette line, Piaget ‘s Couture Précieuse line,Victoire de Castellane ‘s My Dior, Van Cleef & Arpels Palais de la Chance , La Bonne Etoile, La Nature Porte-Bonheur and Les Légendes de la Chance, Chanel’s diamond sautoir and the first Asian Jeweler Wallace Chan are the stars of Karl Lagerfeld scenario at the Paris Biennale des Antiquaires.
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The collection was the fashion equivalent of a souvenir shop, so stocked with kitschy local clichés that one wondered if it were done in partnership with the Sicilian bureau of tourism. There were two main looks: First, colorful puppet prints, a too-literal depiction of street theater, that were garishly splashed across tunics, skirts and dresses, done in a variety of Dolce & Gabbana stock silhouettes.
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During her fifty year reign as the “Empress of Fashion,” she launched Twiggy , advised Jackie O and coined some of fashion’s most eloquent proverbs such as “the bikini is the biggest thing since the atom bomb.” She was the fashion editor of HARPER’S BAZAAR where she worked for 25 years before becoming editor in chief of VOGUE followed by a remarkable stint at the Met’s Costume Institute where she helped popularize its historical collections.