The collection was the fashion equivalent of a souvenir shop, so stocked with kitschy local clichés that one wondered if it were done in partnership with the Sicilian bureau of tourism. There were two main looks: First, colorful puppet prints, a too-literal depiction of street theater, that were garishly splashed across tunics, skirts and dresses, done in a variety of Dolce & Gabbana stock silhouettes.