Imperfection is Beautiful: The Wabi Sabi by Sergei Makhno in Ukraine

by Joelle
Imperfection is Beautiful: The  Wabi Sabi by Sergei Makhno in UkraineImperfection is Beautiful: The  Wabi Sabi by Sergei Makhno in UkraineImperfection is Beautiful: The  Wabi Sabi by Sergei Makhno in UkraineImperfection is Beautiful: The  Wabi Sabi by Sergei Makhno in UkraineImperfection is Beautiful: The  Wabi Sabi by Sergei Makhno in UkraineImperfection is Beautiful: The  Wabi Sabi by Sergei Makhno in UkraineImperfection is Beautiful: The  Wabi Sabi by Sergei Makhno in UkraineImperfection is Beautiful: The  Wabi Sabi by Sergei Makhno in UkraineImperfection is Beautiful: The  Wabi Sabi by Sergei Makhno in UkraineImperfection is Beautiful: The  Wabi Sabi by Sergei Makhno in UkraineImperfection is Beautiful: The  Wabi Sabi by Sergei Makhno in UkraineImperfection is Beautiful: The  Wabi Sabi by Sergei Makhno in UkraineImperfection is Beautiful: The  Wabi Sabi by Sergei Makhno in UkraineImperfection is Beautiful: The  Wabi Sabi by Sergei Makhno in UkraineImperfection is Beautiful: The  Wabi Sabi by Sergei Makhno in UkraineImperfection is Beautiful: The  Wabi Sabi by Sergei Makhno in UkraineImperfection is Beautiful: The  Wabi Sabi by Sergei Makhno in UkraineImperfection is Beautiful: The  Wabi Sabi by Sergei Makhno in UkraineImperfection is Beautiful: The  Wabi Sabi by Sergei Makhno in Ukraine

We are all familiar with kintsugi, the Japanese technique of fixing broken ceramics with gold as a way to turn something imperfect into something precious, a practice that is in fact part of a wider Japanese philosophy called wabi-sabi, which sees all imperfect and incomplete things as possessing a beauty of their own. Wabi-sabialso appreciates irregularity, asymmetry and transience, hence its love for natural materials and shapes: a pebble, a branch, a handmade clay vessel, all these things share a certain roughness, simplicity and uniqueness that makes them beautiful, despite their imperfect shape and texture.

Ukrainian architect Sergey Makhno brings together Japanese aesthetics with the tradition of his country in this stunning penthouse apartment he designed for his own family. The two-storey apartment boasts a carefully designed interior that is in stark contrast with the concrete cityscape outside: all the walls have been finished with clay in a technique used for old Ukrainian houses, while the rough wooden beams that support the ceiling and doorways are another rustic reference. Despite its rural look and feel, the apartment is equipped with contemporary amenities that guarantee a comfortable lifestyle for its inhabitants.

As is often the case with architects building their own houses, the Wabi Sabi apartment has some experimental touches as well, and features many of Makhno’s own lighting and furniture design. The main experiment here was to add a conceptual approach to the overall design, based on the theory of the four elements: earth is represented by the clay on the walls, fire and water are symbolised by various artworks, while the space between objects and rooms stands for air. Bonsai trees and a small roof garden à la japonaisefurther add to the apartment’s oriental character, while traditional woven carpets point to Ukrainian craft and culture. More like sculptures than functional objects, Makhno’s metal lampshadeshang in the dining area and one of the bedrooms, as a way of incorporating a contemporary element to the overall earthy and natural interior; their own imperfections also demonstrate how the ancient philosophy of wabi-sabi can find new applications in contemporary design, making us appreciate the beauty of handmade objects though the use of natural materials.

Via Yazer

 

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